Book features imagery inspired by New England’s largest bay
By Carl Little
When my brother David and I set out to select paintings for our fourth collaboration, Art of Penobscot Bay, we wanted to feature as many different locales as possible. There were many, from the wonderful assortment of shoreline towns to a diverse archipelago that includes Criehaven, Matinicus, North Haven, Vinalhaven, Islesboro, Great Spruce Head, and Isle au Haut.
We also wanted to honor the history and culture of this vast embayment. One image in particular, “Atlantic Salmon” by James Francis, artist and
director of cultural and historic preservation for the Penobscot Nation, helps connect the bay to its mighty feeder river and the people who first inhabited the region.
We sought to represent elements of the marine world, from shipbuilding of yore to the modern-day working waterfront, from the North Haven ferry to a sailing regatta on Eggemoggin Reach. To help orient readers, we included a few maps—and a stunning monoprint/watercolor by Molly Brown showing the bay as envisioned from outer space.
While landscape predominates, a few people appear. You’ll find a solitaire player on Eagle Island, a painter rollicking with a seal, and Belfast folk enjoying an evening by the harbor. It’s an all-season, all-weather survey that features icy ledges on Vinalhaven, fall colors overlooking Deer Isle, a mid-summer island flyover, and a profound Bucks Harbor fog.
In his introduction, author Peter Nichols notes how much the bay has remained consistent over centuries. He writes: “Only the windmills rising above Vinalhaven Island in Anneli Skaar’s ‘Three Turbines’ (2018) would not be recognized by earlier voyagers and visitors who found sustenance in the waters of Penobscot Bay.”
David and I ended up with 130 paintings by 120 artists, plus one photo-
graph (by Eliot Porter), four vintage postcards, and a canoe paddle. What follows is a sampling of the visual treasures that arrived in our inboxes over a year-plus of hunting and gathering. To all the artists, galleries, collectors, and museums that provided images, many thanks.
Adele Ursone, “Bucks Harbor, Gray Day,” 2016, oil on board, 19 x 15 in.
Waldo Peirce, “Carver Yard with the John Carver on the Ways,” 1960, oil on canvas, 35 3/4 x 55 3/4 in. Courtesy Penobscot Marine Museum
Charles Copeland, “Criehaven,” c. 1910, watercolor on paper, 22 1/16 x 34 1/2 in. FARNSWORTH ART MUSEUM, GIFT OF MRS. W.B.D. GRAY AND MRS. JAMES CREIGHTON
Loretta Krupinski, “View from the Second Tower, Matinicus Rock Light, 1904,” 2012, oil on canvas, 28 x 22 in. COURTESY BAYVIEW GALLERY, BRUNSWICK
Susan Webster, “View from Sheephead Island, Deer Isle, Maine,” 2008, pastel, 10 x 18 in. PHOTO BY KEN WOISARD
Eric Hopkins, “Summer Island #1,” 2004, watercolor on paper, 21 3/4 x 29 in. Bates College Museum of Art, Jane Costello Wellehan Collection
Sam Minot, “North Haven Ferry,” 2004, oil on canvas, 16 x 20 in. COLLECTION OF CHELLIE PINGREE
John Neville, “Regatta, Eggemoggin Reach,” 2018, oil on canvas, 36 x 60 in. COURTESY COURTHOUSE GALLERY FINE ART, ELLSWORTH
David Estey, “Belfast Summer Nights,” 2006, oil on panel, 16 x 24 in.
Colin Page, “Columns,” 2020, oil on canvas, 36 x 48 in.
Leslie Anderson, “Island Gear,” 2020, oil on canvas, 11 x 14 in. COLLECTION OF THE ARTIST
Sarah Faragher, “Afternoon Shadows, Bear Island, Maine,” 2010, oil on canvas, 24 x 60 in. Collection of the artist. PHOTO BY KEN WOISARD
Ian McKibbin, “White Spite House Arriving at Deadman’s Point,” 2009, oil on canvas, 14 5/8 x 17 1/2 in. COLLECTION OF MARYLEE AND CHARLES W. H. DODGE
Anneli Skaar, “Three Turbines,” 2018, oil on wood panel, 8 x 8 inches.
James Eric Francis, Sr., “Atlantic Salmon,” 2021, acrylic paint on canvas. Collection U.S. Fish and Wildlife Service Museum, West Virginia
Elaine Crossman, “Icy Ledges,” 2021, oil on canvas, 19 x 38 in. COLLECTION OF STEVE AND MARY KARTH. COURTESY OF NEW ERA GALLERY, VINALHAVEN. PHOTO BY WILLIAM TREVASKIS
William Irvine, “The Lobster Boat Race, Stonington,” 2012, oil on museum board, 26 x 36 in. COURTESY COURTHOUSE GALLERY FINE ART, ELLSWORTH
T. Allen Lawson, “The Lobster Pound,” 2006, oil on linen, 24 x 34 in. Courtesy of Page Gallery, Camden
Louise Bourne, “Island Solitaire,” 2011, oil on linen, 30 x 40 in. PHOTO BY KEN WOISARD