William Irvine, “The Resting Fishermen,” 2020, oil on canvas, 36 x 48 inches. COURTESY: COURTHOUSE GALLERY FINE ART

Working Waterfront

William Irvine’s sleeping fishermen

“Although the painting is called ‘The Resting Fishermen,’” painter William Irvine explains via email, “they are actually asleep.” A trio of barefoot simply-clad men, eyes closed, lean against each other, their backs against a small shed set on a dock strewn with lobster traps, buoys, oars, nets, and rope, with… SEE MORE

Working Waterfront

Have you seen the Scuttlebutt?

The phrase “buyer beware” seems inappropriate for someone settling in a pretty Maine waterfront community. But maybe “buyer aware” makes some sense. After all, if that town has a working waterfront, a newcomer’s expectations may not match reality. Fishermen’s pickups driving by at 4 a.m. in summer. Diesel boat engines… SEE MORE

Working Waterfront

Adventures in art

As I sit in my 8-foot by 10-foot studio on a sunny afternoon in the fourth week of February I think about the strange winter we’ve experienced. The islands have not had more than 3 inches of snow at a time and that hasn’t lasted. There have been days in… SEE MORE

Working Waterfront

Fraying family is unwanted ballast

Sailing at the Edge of Disaster: A Memoir of a Young Woman’s Daring Year By Elizabeth W. Garber, Toad Hall Editions (2022) Among the many weird things that were happening during the social upheavals of the 1960s and ’70s, one of the weirdest was the wholesale revolt of children against… SEE MORE

Working Waterfront

When admitting you’re wrong is the right move

Reading the Glass: A Captain’s View of Weather, Water, and Life on Ships By Elliot Rappaport, Dutton/Penguin Random House (2023) A few of us get to know everything: doctors, editors, various experts, philosophers, TV pundits, religious gurus—and, now after reading Elliot Rappaport’s Reading the Glass: A Captain’s View of Weather,… SEE MORE

Working Waterfront

Art, the early years

Telling Stone Maine Authors Publishing (2022) Who were the first artists and why did they make art? Those are the central questions that prompted Scott Dickerson to write Telling Stone. Set in paleolithic times, the novel tells the story of 20-year-old Okyo, a “man apart” in his band of people,… SEE MORE

Working Waterfront

Listening to the landscape

Notes on the Landscape of Home By Susan Hand Shetterly, Down East Books Notes on the Landscape of Home confirms Susan Hand Shetterly’s status as one of Maine’s and this country’s finest environmental writers. Like Terry Tempest Williams, who lives nearby on the Blue Hill peninsula, Shetterly weaves personal life… SEE MORE

Ralph Stanley, as photographed by Peggy McKenna. PHOTO: PENOBSCOT MARINE MUSEUM

Working Waterfront

One photograph, two stories

Maine boat building icon Ralph Stanley looks directly into the camera in his boat shop in Southwest Harbor. He sports a soft natural smile and his eyes still have a spark despite his 77 years. His working days were not done at this time though his boatbuilding days were mostly… SEE MORE

Working Waterfront

Farnsworth marks 75th, announces exhibits

The Farnsworth Art Museum has announced its 2023 schedule of major exhibitions in celebration of the museum’s 75th anniversary. From Feb. 11 through June 17 the museum will open a series of important shows that will transform every gallery and feature beloved favorites, as well as dozens of new acquisitions… SEE MORE

Working Waterfront

A sailing adventure enjoyed vicariously

In Slocum’s Wake By Nat Warren-White, Outskirts Press, Inc. (2022) Garrison Keillor once said something like, “We need to write because, otherwise, nobody will know who we are.” I think others write to find out who they, themselves, are. Having known Nat Warren-White since the 1960s as a casual acquaintance,… SEE MORE