Arts in Working Waterfront - Page 11 of 39 - Island Institute

Alison Hill, “Coiling the Ropes,” 2015, oil on canvas, 24 by 30 inches.

Working Waterfront

Down at the Monhegan Dock with Alison Hill

The dock on Monhegan is the center of that far-out-at-sea island’s universe. “It’s our lifeline,” writes painter Alison Hill. “It’s the first thing we see when we arrive,” she notes, “and the last thing we see when we leave.” For Hill, who moved to Monhegan in May 2002, the setting… SEE MORE

SaltWater Cure

Working Waterfront

Building community by starting small

The music blasting from the preschool alternated between the Islands and Mamma Mia! soundtracks. The cast of Little Women, our fall show, sang along as they got into costume, makeup, and hair in the Waterman’s preschool, our de facto green room. There were 13 of them, plus a handful of… SEE MORE

Babb’s The Iron Works (1977, oil on panel, 36 x 48 in. collection of Janet Starr).

Working Waterfront

Joel Babb’s BIW

Over its nearly 130-year existence, Bath Iron Works has also attracted artists. SEE MORE

Detail ofA Kosti Ruohomaa photograph made at Freeport’s L.L. Bean. PHOTO: COURTESY PENOBSCOT MARINE MUSEUM

Working Waterfront

Ruohomaa featured in Freeport

Kosti Ruohomaa was a prominent mid-20th century photojournalist who grew up in Rockland. SEE MORE

Working Waterfront

Calling island artists, writers, creative spirits

The Island Reader, a creative arts anthology published annually by the Island Outreach program of Maine Seacoast Mission, is accepting submissions for its 2023 edition. SEE MORE

Mystery Tusk

Working Waterfront

A mammoth in Maine

Hoyle takes us through the high and low points of the project, the bureaucratic hoops and funding barrels. His dedication to the project is perhaps exemplified by his volunteering for a dinosaur dig in Montana... SEE MORE

A Fixed White Light

Working Waterfront

A well-deserved poetic tribute

Wedmore brings these women alive with vivid descriptions of their experiences and their emotional underpinning. SEE MORE

Port Clyde, 1993, by Malcolm Morley (oil on canvas, 38 by 52 inches Private collection, Maine). Copyright the estate of Malcolm Morley.

Working Waterfront

Malcolm Morley’s Port Clyde collage

An artist with a checkered past—he served time in a U.K. reform school and prison before finding his way to art school and subsequent fame as a painter in New York City—Morley became a U.S. citizen in 1991 at age 60. SEE MORE

The shadows of two boys whose futures lay in the marine industry are visible in this photo, circa 1948, along with a lobster boat being dragged to its winter home at Snow Marine Basin. PHOTO: PENOBSCOT MAINE MUSEUM COLLECTION

Working Waterfront

A future in boats and photos

After World War II, Bert Snow and Maurice McKusick partnered with Alfred Storer and Ralph Cowan to develop the Snow Marine Basin at the site of an old lime kiln... SEE MORE

Bernard Henderson poses with his smelting shack on the Sasanoa River in 1962. PHOTO: MAINE MARITIME MUSEUM

Working Waterfront

A traditional winter fishery in decline

A resident of Phippsburg, he set up his shack on the Sasanoa River between the towns of Woolwich and Arrowsic SEE MORE

© 2025 Island Institute. All rights reserved.

SITE DESIGNED & DEVELOPED BY NORTHEAST MEDIA COLLECTIVE