David Dewey working on site in Rockland. PHOTO: COURTESY OF ARTIST

Working Waterfront

David Dewey’s Rockland

As a painter of light, Dewey explains, watercolor is a natural medium. “It is all about light through the transparent layering of color pigments on white paper,” he writes. SEE MORE

Working Waterfront

A journey to the ends of the Earth

The reader experiences, through Rush, the surprise and wonder of discovering how the scientists gather soil cores, how and why they collect animal bits from an island, their anxiety when they lose touch with an underwater remote vehicle... SEE MORE

Working Waterfront

Tom Moore, unleashed

Moore also broaches intimations of mortality, at times tongue in cheek, at others, not so. In “Going Back: Getting Lost in Heaven” he moves from describing a house he built—“I cut studs and toe-nailed them”—to the “terrible signage” he finds in heaven. SEE MORE

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Inside an islander’s mind

One of the shorter poems, “Modern Man Is Monstrous, Let’s Not Forget,” begins: “Seems like any time I have a minute/to relax here goes somebody all dressed up/on TV talking about the end of time.” These ideas are in themselves quirkily disconnected. SEE MORE

N.C. Wyeth (1882–1945), “Maine Headland, Black Head, Monhegan Island,” ca. 1936–1938, oil on canvas, 48 1/4 x 52 1/4 inches, Bequest of Mrs. Elizabeth B. Noyce, 1997.

Working Waterfront

Farnsworth shows coastal Wyeths

The Farnsworth Art Museum is presenting The Wyeths: Impressions of Coastal Maine, beginning Oct. 26 through Dec. 31. The exhibition presents paintings by N.C., Andrew, and James “Jamie” Wyeth, inviting viewers into the serene and evocative landscapes of Maine’s Midcoast, including Rockland, Tenants Harbor, and Port Clyde. These communities, which… SEE MORE

Arts

Sir William Cornelius Van Horne’s “.007,” ca. 1897, oil on canvas.

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A painter on Ministers Island

David Sullivan’s Minister’s Island: Sir William Van Horne’s Summer Home in St. Andrews (2007) tells the remarkable story of this 500-acre island just off that New Brunswick resort community. SEE MORE

Lee Krasner’s “Untitled,” alternative study for mural studioA, WNYC (1941).

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Ogunquit museum shows Krasner’s work

Krasner’s serious engagement with abstraction began in 1937 when she enrolled in New York’s Hofmann School of the Fine Arts. From the late 1930s until her marriage to painter Jackson Pollock in 1945, she developed an artistic vocabulary that would be sustained throughout her career. SEE MORE

Jimmy Steele poses with the beginnings of one of his legendary peapods in a photo by Everett “Red” Boutilier. PHOTO: PENOBSCOT MARINE MUSEUM

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Intriguing photo reveals a boat’s essence

I have always been drawn to unusual photographs. I love how the camera can take a slice out of the real world, which, once removed from its context, becomes a riddle for the viewer to figure out. I had this reaction when I first saw the accompanying photograph of Jimmy… SEE MORE

Working Waterfront

History, fiction tell tale of escaping slavery

The plantation they bought was outside the city along the St. Johns River, part of an escape route for runaways. Dr. Mitchell had trouble building a medical practice as his opposition to slavery set him apart. He gained acceptance after helping locals fight off a Yellow Fever epidemic. SEE MORE

A baby seal tupilak made by an unidentified Inuk artist. PHOTO: COURTESY PEARY-MacMILLAN MUSEUM

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Northern nightmares: Monsters in Inuit art

The mystery of these figures is not locked in the past and continues to evolve within and beyond contemporary Inuit culture. The 20th century gave rise to a new wave of Inuit artists who moved beyond traditional folklore, inspired by increased contact with the world beyond the Arctic. SEE MORE